The launch in 1955 of the magazine Film Culture represented the creation of a far-reaching medium for expressing concepts and ideas related to the seventh art.
Through an analysis of its first fifteen years, the article studies the evolution of the publication as a first-class cultural and theoretical artefact, while it was responsible for introducing the concept of auteur theory to American critics, its fundamental importance lay in its ability to channel the opinions and concerns of documentalists, supporters of New American Cinema and, above all, avant-garde filmmakers. The contributions of critics, historians and American experimental film directors make Film Culture a forum for the theoretical, aesthetic and historical tradition of American underground film
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