The author studies Cortes de Júpiter, by Gil Vicente, a play performed in 1521 on the occasion of the departure to Savoy of Infanta D.Beatriz, the daughter of King Manuel I, in the wake of her marriage to Duke Charles III. This article places this work within the context of Gil Vicente¿s production and singles out the play¿s main thematic developments, in an attempt to prove that the latter mirror the playwright¿s values of universal friendship through the past and the future, peoples and their attitudes, the rights of faith and those of fantasy.
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