The short story ¡s the genre which has come closest to representing the most poetic aspects of post-Second World War English literature, not only for its linguistic and stylistic concentration, but also for its imagistic world, in which the realistic contrasts with the romantic. Nevertheless, there is a transference from the classic literary images to a modern alternative. On the other hand, since 1945 writers have been preoccupied with the quest for self-a search for identity, an effort on the part of the heroes and heroines to understand and define who or what they are. In fact, the term identity plays a central role in virtually every judgment or opinion of the post-war literary scene.
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