The objective of this article is to point at some of the consequences of the epistolary genre into the language and the style of the exile's ovidian poetry: many homophonies, which make up a sort of "leonines rhymes" between the end of their hemisticles; a very often coincidence of ictus and accent, unlike the scheme in their patterns (Catullus, Propertius and Virgil); and very few enjambments that produce a feeling of monotony, characteristic of the conversational language.
© 2001-2024 Fundación Dialnet · Todos los derechos reservados