Transparencias cinematográficas

• Autores: Theodor W. Adorno
• Localización: Archivos de la filmoteca: revista de estudios históricos sobre la imagen, ISSN 0214-6606, Nº 52, 2006 (Ejemplar dedicado a: Jean Vigo, una mirada independiente), págs. 130-138
• Idioma: español
• Títulos paralelos:
  • Transparencies on Film
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• Resumen

  • In this text, Theodor W. Adorno points out that in order to fulfill its artistic potential, cinema must deal with the internal paradox of inhibiting the specificity of its images. For Adorno, the representational and sequential character of motion pictures prevents film from achieving full aesthetic and political development. Rather than present films as essentially organic works (through an almost imperceptible conjunction of words, sounds and images), he intends to create cinematic works based on the emulation of subjective experience and the use of multi-layered montage. In his new conception of film, the interaction of motion pictures with other different media abstract takes on crucial importance.