Beyond the specific influences which, in the case of Zéro de conduite, may be relativized and traced back to films about childhood marked by supervision and punishment in the hands of adults (Les 400 coupes by Truffaut) and authoritarianism (If by Lindsay Anderson), Jean Vigo is a filmmaker whose work is celebrated by those in favor of a free cinema in which to experience the flow of life, the power of poetic imagination and a abstract desire for change.
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