Von megalithischen Kopfjägern, mittelalterlichen Kriegern, Charlton Heston und der Filmanalyse: Einflüsse einer prähistorischen Musik-Ethnologie im Schaffen Juan-Eduardo Cirlots

• Autores: Bernhard Bleibinger
• Localización: Anuario musical: Revista de musicología del CSIC, ISSN 0211-3538, Nº 60, 2005, págs. 253-272
• Idioma: alemán
• Texto completo no disponible (Saber más ...)
• Resumen

  • Pivotal creations within the works of the Spanish poet and art critic Juan-Eduardo Cirlot, as, for example, La Dama de Valícarca and Bronwyn attest to tendencies of a new mythicization of the commonplace by means of reinterpreting a Barcelona neighbourhood as a megalithic landscape and figures from Hollywood films as elements of cosmic myths. As this article will demonstrate, the foundations and the origins are based on, among other things, models and conclusions of studies in the first half of the 2Oth Century, in the fields of Ethnology and Prehistory. As Cirlot's drafts have shown, those models and conclusions were imported through comparative musicology.