A short list of Yves Allégret´s early professinal work leads us into a brief analysis of the documentary dedicated to Tenerife, shot by the filmmaker in 1932. The author then stops to examine the moviemaker´s "noir" trilogy (Dédée d´Anvers. Une si jolie petite pláge and Manèges), underlining the skilful manufacture of the enveloping poetical realism while remarking on the underlying desperate pessimism regarding the human condition and society of the time. The article ends with a brief rundown of the other works on his filmography and a short analysis of "Les Orgueilleux", with respect to which he underlines the positive recreation of reality and the conductist tone of the narration.
© 2001-2025 Fundación Dialnet · Todos los derechos reservados