Resumen de Los espacios interiores de Luis Buñuel
Buñuel’s films show a pointed interest in the construction of interior spaces. In his early films, particularly Un Chien Andalou, we see a subversive treatment of supposedly neutral interiors through the presence of surprising elements. In El Ángel Exterminador, the interior space takes on protagonistic status by way of inverting a bourgeois dinning room by simultaneously abstract projecting it as a religious space.
