The aim of this article is to present one of the most influential aestheticians of the twentieth century, György Lukács, and to re-evaluate his thinking on the aesthetics of film. Even though film occupied only a marginal place in his work, his article “Gedanken zu einer Aesthetik des Kino”, which originally appeared on 10 September 1913 in the Frankfurter Zeitung, and reprinted in this issue, deserves consideration as it was one of the first attempts to identify the unique aesthetic nature abstract of the new medium.
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