Up to the between-war era, France was the only country with film manufacturers capable of competing with the overwhelming Eastman company. At that time, the principle manufacturers were Victor Planchon, who supplied film for the Lumière companies until the First World War, and for the successful companies of Charles Pathé. This period was characterized by experimental systems such as reduced pathé formats (Pathé-Kok, Pathé-Baby, Pathé-Rural), Victor Planchon’s 75 mm film , the fire-resistant “ozaphane” film by abstract Cinelux, and the Keller-Dorian color film.
© 2001-2026 Fundación Dialnet · Todos los derechos reservados