Fronteras y residuos de un presente esquizofrénico: Les mans buides de Marc Recha

• Autores: Àngel Quintana Morraja
• Localización: Nosferatu: Revista de cine, ISSN 1131-9372, Nº. 46, 2004 (Ejemplar dedicado a: Marc Recha al desnudo), págs. 51-56
• Idioma: español
• Títulos paralelos:
  • Borders and refuse of a schizophrenic present: Marc Recha´s "Les mans buides"
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• Resumen

  • "Toni", the film shot by Renoir in 1934, is the doorrway to "Les main buides". The crack opened by this movie in the history of cinema, permitting life, the ups and downs of filming to enter moviemaking, has nourishedsome of our best fictions. Having set the starting point, the author goes on to establish the filation between this -and other films and other authors- and Recha´s film, analyzing the plot of the movie, filmed in a place populated with interior and exterior borders, a sort of no-place. While the attempt to domesticate the chaos of this crossroads through the storyline will cause internal imbalance of narration, it will according to this analysis allow life into the film, thus endowing it with the ambiguity typical of good movies.