Having analyzed the birth of "El cielo sube" and Marc Recha´s idea of converting the film into a recapitulation of his shorts until then while advocating "poor cinema", the author analyzes the film based on what he considers to be the basic characteristics of his cinema. His one-off experience (his later movies were always in colour) with black and white to give the movie a certain feeling of amateurism and to gain control over one of its features: the limits of light. The constant use of a fragmentary image plagued with inserts. The use of voice over, exemplar in its use as a narrative element. The achievement of a "tempo" which seems to have stopped. Editing serving an interior action, far removed from the clichés of action as traditionally considered. The strict use of meticulous sound The omnipresence of nature, always merging with the characters in Recha´s cinema.
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