There is now a large number of linguistic analyses of literary texts but in the main, the analyses fail to satisfy literaty critics -- often the linguist confines himself to a demonstration of how the text works and not what it means and far too often, the analyses presented is text-specific.
What I hope to do in this article is present an approach which is not text-specific and which will always give the analyst an insight into the way some of the text's meaning is created and conveyed.
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