Resumen de París era una mujer: Gertrude Stein y la eclosión de las artes
The aim of this paper is to explore the artistic and literary relationships between Gertrude Stein and other contemporary painters, musicians, and writers. Stein appears as a Protean figure in the artistic development of the Parisian avant-garde. The importance of her influence in other artists has not been fully established and as a consequence this essay establishes in what ways Stein as an art collector, as an opera writer, and as a creator of a new poetic language contributed to the most important theoretical debate of Modernism. Likewise, Stein was the leading artist of a group of expatriate women writers who clearly represented an alternative Modernism. Paris became the cultural site where these women established the founding principles of a feminine Modernism.
