Within the contentious and inextricable relationships that exist between Spanish and Latin American cultures, the coexistences between one and the other are continually melding into a certain morass of genes and confluences that will never be described in a definitive way. This chapter examines the role that Latin American music played in classic Spanish films, which were distinguished by their narrative and socially reflective nature and which were made during the time of the emergence of motion pictures with technologically added sound: Argentina of the tango in the 1930s, Mexican ranchera music in the 1940s and 1950s, and Cuban of the 1950s.
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