El coro griego en Las canciones de Pablo Messiez
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Marcos [1]
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[1] University of Connecticut
University of Connecticut
Town of Mansfield, Estados Unidos
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- Localización: Latin American theatre review, ISSN 0023-8813, Vol. 58, Nº. 2, 2025, págs. 51-66
- Idioma: español
- Enlaces
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Resumen
This article examines the reinterpretation of the Greek chorus in Las canciones (2019) by Pablo Messiez, focusing on the role of the chorus in fostering audience participation and shaping the reception of the play. By integrating elements of ancient Greek tragedy such as the chorus and the figure of the corifeo, Messiez constructs a dramaturgical approach that blurs the boundary between performers and spectators. The play’s use of choral dance and projected surtitles not only breaks the fourth wall but also creates a dynamic narrative space in which physical expression becomes central to communication. The choral movement serves as an emotional and performative bridge, reinforcing the idea that true listening requires a physical response. This same immersive strategy, however, also introduces tensions, as the participatory nature of the performance influences audience perception, thereby potentially limiting their critical engagement. By examining the expressive, ritual, and musical dimensions of the choral structure as used in Las canciones, this study highlights its impact on contemporary theatrical practices and its effect on spectatorship.
