Teatralidades em Meu tio chega Amanhã e La Línea

• Rios de Melo, Fernanda ^[1]
  1. [1] PUC-SP
• Localización: FronteiraZ, ISSN-e 1983-4373, Nº. 30, 2023
• Idioma: portugués
• Títulos paralelos:
  • Theatricalities in My uncle is coming tomorrow and La Línea
• Enlaces
  • Texto completo (pdf)
• Resumen
  • español

    My uncle is coming tomorrow (2014) by Sebastián Santana Camargo is a seemingly simple narrative, but it is one that takes the reader off balance through a constant structure. The uncle who insists on not arriving represents all the absence of family members in the argentine military dictatorship. This book was inspired by La Línea (1975) by Beatriz Doumerc and Ayax Barnes, an iconic work that challenged the imposed political condition and remains a hallmark of the period. We intend to analyze them in the light of the theatricalities present: the use of picture book spaces (LEE, 2012; MORAES, 2022), through th Thies Lehmann's concept of post-dramatic theater (LEHMANN, 2011) and the relationship between words and images of verbal-visual texts (NODELMANN, 2011). We will observe how the elements of the works approach theater as a form of expression.

  • English

    My uncle is coming tomorrow (2014), by Sebastián Santana Camargo is a seemingly simple narrative, but it is one that takes the reader off balance through its constant structure. The uncle who insists on not arriving represents all the absence of family members in the military dictatorships. This book was inspired by La Línea (1975), by Beatriz Doumerc and Ayax Barnes, an iconic work that challenged the imposed political condition and remains a hallmark of the period. We intend to analyze both books in the light of the theatricalities present: the use of picture book spaces (LEE, 2012; MORAES, 2022), through Thies Lehmann's concept of post-dramatic theater (LEHMANN, 2011) and the relationship between words and images of verbal-visual texts (NODELMANN, 2011). We intend to examine how the elements in both works approach theater as a form of expression.

  • português

    Meu tio chega amanhã (2014) de Sebastián Santana Camargo é uma narrativa aparentemente simples, mas que tira o leitor do prumo por meio de uma estrutura linear e constante. O tio que teima em não chegar representa toda a ausência de familiares na ditadura militar argentina. Este livro foi inspirado em La Línea (1975) de Beatriz Doumerc e Ayax Barnes, obra icônica que desafiou a condição politica imposta e que permanece como marca do período. Pretendemos analisá-los à luz das teatrialidades presentes: o uso dos espaços do livro-álbum (LEE, 2012; MORAES, 2022), utilizando o conceito de teatro pós-dramático de Thies Lehmann (LEHMANN, 2007) e na relação entre palavras e imagens dos textos verbo-visuais (NODELMANN, 2011). Observaremos de que maneira os elementos das obras se aproximam do teatro como forma de expressão.