Nasimi’s poetry in the discourse of turkish renaissance: Philosophical and aesthetical issues

• Vaskiv, Mykola ^[2] ; Prykhodko, Oksana ^[3] ; Drozdovskyi , Dmytro ^[1] ; Bykova, Olha ^[4] ; Haiovych , Halyna ^[5] ; Kozachok, Vira ^[6]
  1. [1] National Academy of Sciences of Ukraine

     National Academy of Sciences of Ukraine

     Ucrania

     
  2. [2] Doctor of Рhilology, Professor, Department of Journalism and New Media Institute of Journalism, Borys Grinchenko Kyiv University, Kyiv, Ukraine
  3. [3] Associate Professor, Associate Professor of the Department of Ukrainian language and culture of the National Aviation University, Kyiv, Ukraine
  4. [4] Department of International Journalism, Faculty of Journalism, Borys Grinchenko Kyiv University, Kyiv, Ukraine
  5. [5] PhD in Philology, Associate Professor, Chair of the Department of innovations, information activity in education and training on international projects Institute of Public Administration and Research in Civil Protection, Kyiv, Ukraine
  6. [6] Teacher of the Department of Ukrainian Literature and Theory of Literature Ivan Franko Drohobych State Pedagogical University Drohobych, Lviv region, Ukraine

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• Localización: Synesis, ISSN-e 1678-6785, ISSN 1984-6754, Vol. 14, Nº. 2, 2022 (Ejemplar dedicado a: AGO.-DEZ.), págs. 293-310
• Idioma: inglés
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• Resumen
  • English

    In the paper, the authors examine the works of the classic of Azerbaijani literature Imadeddin Nasimi (1369-1417) through the prism of the theory of Nikolai Konrad. He stated that the Renaissance as a cultural era originated and developed first in Asian literature and then flourished in Europe. The dominant features of the Renaissance worldview, their manifestation in European and Asian literatures are determined. Nasimi was a prominent apologist for Hurufism, promoted it by literary means, but his work was much broader than the popularization of Hurufite teachings and had a universal significance. Interpretation of Nasimi’s works shows that his glorification of a human being, recognition of godliness, national intentions, creativity in the native Azerbaijani language, along with the ‘book’ language of Farsi, reinforces self-knowledge, synthesis of faith with personal doubts, cult of feelings (love) giving grounds that Nasimi’s work organically fits into the context of Renaissance culture. These features determine the greatness and genius of Imadeddin Nasimi’s poetry.

  • português

    No artigo, os autores examinam as obras do clássico da literatura do Azerbaijão Imadeddin Nasimi (1369-1417) através do prisma da teoria de Nikolai Konrad. Ele afirmou que a Renascença como era cultural teve origem e se desenvolveu primeiro na literatura asiática e depois floresceu na Europa. As características dominantes da cosmovisão renascentista, sua manifestação nas literaturas européias e asiáticas são determinadas. Nasimi era um apologista proeminente do Hurufismo, promovido por meios literários, mas sua obra era muito mais ampla do que a popularização dos ensinamentos de Hurufite e tinha um significado universal. A interpretação das obras de Nasimi mostra que sua glorificação de um ser humano, o reconhecimento da piedade, as intenções nacionais, a criatividade na língua nativa do Azerbaijão, juntamente com a língua 'livro' do Farsi, reforça o autoconhecimento, a síntese da fé com dúvidas pessoais, o culto aos sentimentos (amor) dando motivos para que a obra de Nasimi se enquadre organicamente no contexto da cultura renascentista. Estas características determinam a grandeza e a genialidade da poesia de Imadeddin Nasimi.