Organised sound

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  Año 2004, Vol. 9, Número 1

  • Electroacoustic musics: a century of innovation involving sound and technology - resources, discourse, analytical tools

    M. Battier

    págs. 1-2

    

  • Electronic music and life

    J. Chadabe

    págs. 3-6

    

  • Sound morphology and the articulation of structure in electroacoustic music

    J. Young

    págs. 7-14

    

  • Theories market: open for trading

    R. Mountain

    págs. 15-26

    

  • Information technology and communication of musical experience: categories, conflicts and intersections

    D. Tanzi

    págs. 27-34

    

  • Searching for lost data: outlines of aesthesic-poietic analysis

    L. Zattra

    págs. 35-46

    

  • Electroacoustic music studies and the danger of loss

    M. Battier

    págs. 47-54

    

  • Electroacoustic preservation projects: how to move forward

    D. Teruggi

    págs. 55-62

    

  • Chronology of early electroacoustic music in Japan: What types of source materials are available?

    K. Fujii

    págs. 63-78

    

  • The ElectroAcoustic Resource Site (EARS): philosophy, foundation and aspirations

    S. Atkinson

    págs. 79-86

    

  • Conservation and restoration of electroacoustic musical instruments at the Musee de la Musique, Paris

    S. Ramel

    págs. 87-90

    

  • Reflections on the analysis of artificial vocality: representations, tools and prospective

    B. Bossis

    págs. 91-98

    

  • Towards organised listening: some aspects of the `Signed Listening' project, Ircam

    N. Donin

    págs. 99-108

    

  • Graphical representation: an analytical and publication tool for electroacoustic music

    P. Couprie

    págs. 109-114