"To Be or Inter-Be": Almereyda's end-of-millennium Hamlet
págs. 82-89
The Promethean Apparatus: Michael Almereyda's Hamlet as Cinematic Allegory
págs. 90-96
The Truth Is Out There in Elsinore: Mulder and Scully as Hamlet and Horatio
págs. 97-107
Godard's King Lear: Referents Provided Upon Request
págs. 108-114
Othello: A Hawk Among Birds
págs. 115-121
Julie Taymor's Titus: Deciding Not to Cut
págs. 122-125
Bottom's Wife: Gender and Voice in Hoffman's Dream
págs. 126-133
"I WON'T DANCE. DON'T ASK ME": Branagh's Love's Labour's Lost And the American Film Musical
págs. 134-143
Taming 10 Things I Hate About You: Shakespeare and the Teenage film Audience
págs. 144-152
Reading (and Writing) the Ethics of Authorship: Shakespeare in Love as Postmodern Metanarrative
págs. 153-162
Review: Shakespeare Into Film
págs. 163-164
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