Organised sound

• 

  Año 2003, Vol. 8, Número 3

  • Free music and the discipline of sound

    L. Wyse

    págs. 237-248

    

  • A Constructivist approach to the analysis of electronic music and audio art - between instruments and faktura

    M. Battier

    págs. 249-256

    

  • The creation and projection of ambiophonic and geometrical sonic spaces with reference to Denis Smalley's Base Metals

    T. Lotis

    págs. 257-268

    

  • `Sound is the interface': from interactive to ecosystemic signal processing

    A. Di Scipio

    págs. 269-278

    

  • Spiral Fiction

    J. Wilson-Bokowiec, M. A. Bokowiec

    págs. 279-288

    

  • Creative process and performance practice of interactive computer music: a performer's tale

    M. Kimura

    págs. 289-296

    

  • Performing electroacoustic music: a wider view of interactivity

    E. McNutt

    págs. 297-304

    

  • Live performance interaction for humans and machines in the early twenty-first century: one composer's aesthetics for composition and performance practice

    B. Belet

    págs. 305-312

    

  • On the process and aesthetics of sampling in electronic music production

    T. Rodgers

    págs. 313-320

    

  • Live coding in laptop performance

    A. McLean, Nick Collins, J. Rohrhuber

    págs. 321-330