Charles Rennett and the London Music-Sellers in the 1780s: Testing the Ownership of Reversionary Copyrights
N. Mace
págs. 1-23
The Utility of Musical Instruments in the Racial and Colonial Agendas of Late Nineteenth-Century France
J. Pasler
págs. 24-76
Fitzcarraldo's Search for Aguirre: Music and Text in the Amazonian Films of Werner Herzog
H. Rogers
págs. 77-99
Virtual Opera, or Opera between the Ears
D. Nicholls
págs. 100-142
`Everybody wants to be Pavarotti': The Experience of Music for Performers and Audience at a Gilbert and Sullivan Festival
S. Pitts
págs. 143-160
Arresting Boulez: Post-war modernism in context
B. Parsons
págs. 161-176
The Dent Medal
págs. 177-178
Contributors
pág. 179
Forthcoming Articles
pág. 180
Instructions for Contributors
pág. 181
© 2001-2024 Fundación Dialnet · Todos los derechos reservados
Coordinado por: