The Voice that Fills the House: Opera Fills the Screen
págs. 2-11
The Story of Louis Pasteur and the Making of Zora Neale Hurston's Their Eyes Were Watching God: A Famous Film Influencing a Famous Novel?
págs. 12-19
Fate and Free Will in The Cider House Rules: Novel to Hollywood
págs. 20-25
Transcendental Style in Schrader: Bringing Out the Dead
págs. 26-29
Fathers and Sons An Exploration of The Treasure of the Sierra Madre
págs. 30-38
Red River and the Loss of Femininity in the John Wayne Persona
págs. 39-45
It's Not Easy Being Pink: Tarantino's Ultimate Professional
págs. 46-50
Imitating the Siren: West's The Day of the Locust and the Subject of Sound
págs. 51-59
East meets West: Representing the Possessed Child in Frank De Felitta's/Robert Wise's Audrey Rose
págs. 60-70
Taking Possession: Neil LaBute Adapts a Postmodern Romance
págs. 71-77
SHADOWS OF THE HOLOCAUST
págs. 78-80
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