Critique: Studies in contemporary fiction

• 

  Año 2004, Vol. 45, Número 2

  • Voces Intimae: Electro-Erotic Speech in Nicholson Baker's Vox

    págs. 99-114

    

  • "Jasón's Indiana": Mexican Americans and the Denial of Indigenous Ethnicity in Anaya's Bless Me, Ultima

    págs. 115-128

    

  • The Past as Revenant: Trauma and Haunting in Pat Barker's Another World

    págs. 129-146

    

  • Roddy Doyle's "Bad Language" and the Limits of Community

    págs. 147-159

    

  • Replicating a Dinosaur: Authenticity Run Amok in the "Theme Parking" of Michael Crichton's Jurassic Park and Julian Barnes's England, England

    págs. 163-171

    

  • Tradition and "Experiment" in Byatt's "The Conjugial Angel"

    págs. 173-189

    

  • Existentialism Meets Postmodernism in Paul Auster's The Music of Chance

    págs. 191-206

    

  • Poor White Trash, Great White Hope: Race, Class. and the (De)Construction of Whiteness in Lewis Nordan's Wolf Whistle

    págs. 207-223