Screen

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  Año 2000, Vol. 41, Número 2

  • Jurassic post-Fordism: tall tales of economics in the theme park

    C. Balides

    págs. 139-160

    

  • Artificial women and male subjectivity in 42nd Street and Bride of Frankenstein

    L. Phelan

    págs. 161-182

    

  • A screen of one's own: early cinema in Quebec and the public sphere 1906-28

    S. Mackenzie

    págs. 183-202

    

  • The impossibility of science fiction: against buckland's possible worlds

    C. P. Sellors

    págs. 203-216

    

  • Competitiveness policy and economic organization: the case of the British film industry

    S. Pratten, S. Deakin

    págs. 217-237

    

  • Latin American Cinema Conference: Theory and Praxis

    A. Noble

    págs. 238-240

    

  • Screen Studies Conference 1999

    A. Wood

    págs. 241-243

    

  • M. Madhava Prasad, Ideology of the Hindi Film: a Historical Construction

    L. Gopalan

    págs. 244-248

    

  • Geoffrey Nowell-Smith and Steven Ricci (eds), Hollywood and Europe: Economics, Culture, National Identity 1946-95

    J. Hill

    págs. 249-252

    

  • Steve Neale and Murray Smith (eds), Contemporary Hollywood Cinema

    J. Hillier

    págs. 253-256