Artibus et historiae: an art anthology

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  Año 2026, Número 93

  • Imported or local? refining the geography of Late Medieval and Early Modern alabaster sculpture in present-Day Poland and Ukraine with isotopic fingerprinting

    Aleksandra Lipińska, Liana Naumenko, Tanita Ciesielska, Marek Walczak, Wolfram Kloppmann

    • Resumen

    págs. 9-38

    

  • The mosaic decoration of San Marco, Rome: Saint Mark the Evangelist as the embodiment of the papal perspective in the second iconoclastic controversy (814–842)

    Bernát Rácz

    • Resumen

    págs. 39-72

    

  • The saintly cityscape: urban politics and topography in Guariento’s Coronation of the Virgin fresco

    Dennis Romano

    • Resumen

    págs. 73-88

    

  • Enhancing the faculty of memory: the cognitive and emotional agency of the portrait of Charles VI and his secular attendants in the Goldenes Rössl

    Dafna Nissim

    • Resumen

    págs. 89-110

    

  • From Moses to Moses: Moses Isserles’s elusive likeness in the context of modern european portraiture

    Ilia Rodov

    • Resumen

    págs. 111-142

    

  • A raphaelesque drawing with a bacchic scene in the Dukes of Este’s collection

    Lorenzo Boffadossi

    • Resumen

    págs. 143-168

    

  • An early Cinquecento florentine portrait and its cover reconsidered: new documentary evidence and a biography of Caterina Antinori

    Roberta J. M. Olson, Joseph M. Silva

    • Resumen

    págs. 169-201

    

  • A venetian gentleman fashioned in black: redressing Titian’s early portrait of a man in Copenhagen

    James R. Jewitt

    • Resumen

    págs. 203-243

    

  • More than social climbing: art theory and allusions to early netherlandish painting in Velázquez’s Las Meninas

    Anthony Apesos

    • Resumen

    págs. 245-267

    

  • A newly discovered early painting by Nicolas Poussin: Medea restoring Aeson’s youth

    Stephen Conrad

    • Resumen

    págs. 269-281

    

  • The state, the market and the calendar: depicting events in Louis XIV’s France

    Thomas Brown

    • Resumen

    págs. 283-319

    

  • Michelangelo’s salting Hercules and its siblings: creation, context and after-life

    Paul Joannides

    • Resumen

    págs. 321-358