Romance notes

• 

  Año 2015, Vol. 55, Número 3

  • Introduction: Spaces of conflict, spaces in conflict

    Jessica Tanner, María Luisa Escobar Fernández

    • Texto completo

    págs. 339-344

    

  • Engendering occupation:: The body as warzone in Liliana Cavani's "La pelle"

    Ruth Glynn

    • Texto completo

    págs. 345-355

    

  • Behind the frontlines:: Women's wartime experiences as front-page news (France 1870-1918)

    Kathryne Adair Corbin

    • Texto completo

    págs. 357-370

    

  • The milieu of the prisoner-of-war camp in "La grande illusion"

    Melanie Conroy

    • Texto completo

    págs. 371-384

    

  • Recasting the liberal-democratic male subject in Mario Monicelli's "La grande guerra"

    Anthony Martire

    • Texto completo

    págs. 385-393

    

  • Losing orientation:: Enzo Bettiza's "Esilio" and the memory of world war ii on the Adriatic border

    Franco Baldasso

    • Texto completo

    págs. 395-407

    

  • War by documentary

    Rachel Gabara

    • Texto completo

    págs. 409-423

    

  • Futurism's first war:: Apocalyptic space in f. T. Marinetti's writings from Tripoli

    James Leveque

    • Texto completo

    págs. 425-437

    

  • Making space:: Tactical maneuvers in hélène cixous's "Un vrai jardin"

    Anna Bernard Hoverstad

    • Texto completo

    págs. 439-449

    

  • Beyond the 'Affaire "tartuffe"':: Seventeenth-century french theatre in colonial Quebec

    Micah True

    • Texto completo

    págs. 451-461

    

  • Baudelaire the frequent flyer:: Prostitution, the press, and how the prose poem almost sold its soul

    Thomas C. Connolly

    • Texto completo

    págs. 463-474

    

  • Les images Françaises dans la littérature Franco-Chinoise:: En commençant par Ki-tong Tcheng

    Wei Cui

    • Texto completo

    págs. 475-485

    

  • Mathieu Bénézet et la poésie de consommation

    Glenn W. Fetzer

    • Texto completo

    págs. 487-494

    

  • The "littérature-monde" vs. The parisian publishing empire

    Holly Collins Hamilton

    • Texto completo

    págs. 495-508