Artibus et historiae: an art anthology

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  Año 2025, Número 91. Dedicado a: Papers in Honour of Catherine Puglisi (Part I)

  • Sensory Impact and Ritual Purification: the Foundation Ceremonies of Saint Peter’s in Rome and the Votive Churches of the Redentore and Santa Maria della Salute in Venice

    Deborah Howard

    • Resumen

    págs. 11-24

    

  • Confraternity and convent: archaism at the Crocifisso’s Capuchin Convent in Rome

    Kira Maye Albinsky

    • Resumen

    págs. 25-40

    

  • A different Virgin of the Rocks. Underdrawing and visual observations around Bernardo Zenale’s Denver Altarpiece

    Gianluca Poldi

    • Resumen

    págs. 41-68

    

  • New Saint Peter’s as the Mother of Invention: fantasy in early modern architectural drawing

    Julia Rose Katz

    • Resumen

    págs. 69-89

    

  • Early drawings by Francesco Albani, between Annibale and Agostino Carracci

    Carel van Tuyll van Serooskerken

    • Resumen

    págs. 91-108

    

  • Guercino’s preparatory drawings: creative process, narrative experience, pricing paradox

    David M. Stone

    • Resumen

    págs. 109-125

    

  • Felsina Serenissima. Guercino and his venetian clientele reconsidered

    Linda Borean

    • Resumen

    págs. 127-136

    

  • A cameo appearance: Philip II’s imperial ambitions in stone and metal

    Erin Benay

    • Resumen

    págs. 137-148

    

  • The Cardinalilio in Alessandro Allori’s Rest on the Flight into Egypt

    Thomas Crown

    • Resumen

    págs. 149-164

    

  • Drawings by Bassetti and Fra Semplice in Berlin

    Roberto Contini

    • Resumen

    págs. 165-189

    

  • From Venezia incoronata to the Età del Ferro: new paintings and drawings by Palma il Giovane

    Stefania Mason

    págs. 191-204

    

  • Remarks on Giovan Battista Marino as an art theorist

    Laura De Fuccia

    • Resumen

    págs. 205-214

    

  • Physical movement and devotional spectacle: the translation of Regina Coeli

    Christina Lamb Chakalova

    • Resumen

    págs. 215-223

    

  • Virtuosity and emotions. on wax as an artist’s medium on the example of a group of early-seventeenth-century wax renditions of the Pietà by Willem Key

    Krzysztof Czyzewski, Marek Walczak

    • Resumen

    págs. 225-251

    

  • An unknown painting in Copenhagen related to Frans Hals’s early children group portraits

    Sergiusz Michalski

    • Resumen

    págs. 253-256

    

  • A Bernini caricature of a hunchback dwarf

    Marilyn Aronberg Lavin

    • Resumen

    págs. 257-266