Apollo: The international magazine of arts

• 

  Año 1993, Número 380

  • 'Pissarro: The Impressionist and the City': An organizing curator's view

    Richard R. Brettell

    págs. 207-211

    

  • Introducing Impressionism: Frank Rutter, Lucien Pissarro and friends

    Felicity Owen

    págs. 212-216

    

  • Vincent's other brother: Cor van Gogh

    Martin Bailey

    págs. 217-219

    

  • The one and only Alexander Keirincx: Correcting the misconceptions

    Richard P. Townsend

    págs. 220-223

    

  • A present from 'Dear Dad'?: Van Dyck's The continence of Scipio

    Ron Harvie

    págs. 224-226

    

  • A pioneer in gardening: Dickie Bateman re-assessed

    John Harris

    págs. 227-233

    

  • Luke Clennell at the Guildhall: The Allied Sovereigns' Banquet

    Vivien Knight

    págs. 234-241

    

  • The origins of Bonhams: A foundation in print-selling

    John Martin Robinson

    págs. 242-244

    

  • Four Canaletti for the Duke of Bolton: And two 'Aide-memoire'

    George Knox

    págs. 245-252

    

  • Exhibition Reviews

    • Dufy's textile designs

      Eric Mezil

      págs. 253-254

      

    • Thomas Gambier Parry: Renaissance man and pre-renaissance collector

      Christopher Lloyd

      págs. 254-254

      

    • German-speaking masterpieces: A selection from the Museum Stiftung Oskar Reinhart, Winterthur

      Elizabeth Clegg

      págs. 255-255

      

    • Alphonse Mucha at the Barbican Art Gallery

      Julian Freeman

      págs. 255-256

      

    • The Pierpont Morgan French Drawings

      Anne Thackray

      págs. 256-257

      

    • Piero della Francesca's Saint Anthony Polyptych restored

      Christopher Baker

      págs. 257-258

      

    • Matisse in Denmark: The chapel at Vence

      Anne-Birgitte Fonsmark

      págs. 258-258

      

    • The Nabis and painters of Pont-Aven: A second chance to see

      págs. 259-259

      

  • Acquisition in Focus

    • Wright of Derby's An iron forge

      Elizabeth Einberg

      págs. 260-261

      

  • Book Reviews

    • Duchamp at the Palazzo Grassi

      Francis M. Naumann

      págs. 262-263