Apollo: The international magazine of arts

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  Año 1992, Número 369

  • The urban Impressionist: Pissarro's cityscapes: series and serialism

    Maryanne Stevens

    págs. 278-283

    

  • 'Paul Cézanne, pupil of Pissarro': An artistic friendship

    Christopher Lloyd

    págs. 284-290

    

  • Pissarro's Paris and his France: The camera compares

    John Rewald

    págs. 291-294

    

  • Pissarro as printmaker: Some questions and answer

    Barbara Stern Shapiro

    págs. 295-300

    

  • Objets de luxe or propaganda: Camille Pissarro's fans

    Kathleen Adler

    págs. 301-306

    

  • The work of painting: Camille Pissarro and Symbolism

    Richard Shiff

    págs. 307-310

    

  • Pissarro and the palette knife: Two pictures from 1867

    Christopher B. Campbell

    págs. 311-314

    

  • Pissarro in Louvenciennes: An inscription and three paintings

    Richard R. Brettell

    págs. 315-319

    

  • Pissarro's doubt: Plein-air painting and the abiding questions

    Joel Isaacson

    págs. 320-324

    

  • A continuing collection: Recent acquisitions by the Pissarro archive in Oxford

    Kristen L. Erickson

    págs. 325-327

    

  • Pissarro and photography?: A comparative montage

    págs. 328-329

    

  • Learning from Pissarro: The artist as teacher

    Anne Thorold

    págs. 330-333

    

  • Exhibition Reviews

    • Alfred Sisley: 'Adroit, delicate, but...'?

      John Leighton

      págs. 334-336

      

  • Further Reviews

    • Impressionists and art rebels

      Carol Lowrey

      págs. 337-338

      

  • Book Reviews

    • Reading Pissarro

      Joachim Pissarro

      págs. 339-341