págs. 569-575
From Dolly to Dorrit: William Powell Frith’s scenes from Dickens
págs. 576-585
The ‘Heads of the People’ in the ‘Graphic’ (1875–83): further influences and legacies
págs. 586-593
Laura Knight on display: book jackets and self-promotion in the 1920s
págs. 594-603
Richard II’s broomcod collar in the Wilton Diptych: a new identification of the flowers and their significance
págs. 604-606
Socles and settings: Roubiliac’s busts of George II and Viscount Ligonier
págs. 607-610
págs. 611-612
págs. 613-615




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