Apollo: The international magazine of arts

• 

  Año 1992, Número 368

  • The Courtauld: past, present and future: Sixty years

    Jennifer Fletcher, Robin Simon

    págs. 206-207

    

  • Vox pop

    págs. 208-210

    

  • Bramante's Tempietto: Spanish royal patronage in Rome

    Deborah Howard

    págs. 211-217

    

  • 'Belle considerazioni': Dress in the works of Piero della Francesca

    Jane Bridgeman

    págs. 218-225

    

  • Ferrer Bassa: And the Pseudo-Ferrer at Pedralbes

    Robert Gibbs

    págs. 226-232

    

  • Botticelli's Primavera: The myth of Medici patronage

    Richard Cocke

    págs. 233-238

    

  • Creative distortion in the Renaissance: Lippi, Leonardo and Parmigianino

    Paul Joannides

    págs. 239-246

    

  • Shared values: then and now: Lessons from the seventeenth-century Dutch art market

    Iain Robertson

    págs. 247-250

    

  • Home from Sea: The preliminary landscape study

    Martin Postle

    págs. 251-255

    

  • In my view...: The art schools in crisis?

    David Cohen

    págs. 256-258

    

  • Letter from Switzerland

    • Art on move

      Richard Kendall

      págs. 259-261

      

  • Exhibition Reviews

    • Allan Ramsay: the agreeable and the exact

      Desmond Shawe-Taylor

      págs. 262-264

      

    • Manet's Execution of Maximilian: Art, 'truth' and propaganda

      Robert Snell

      págs. 265-266

      

  • Book Reviews

    • The indispensable Adam

      John Newman

      págs. 267-267