Apollo: The international magazine of arts

• 

  Año 1992, Número 367

  • Paternoster Pevsner

    Robin Simon

    págs. 137-139

    

  • Out of the shadows: Jusepe de Ribera

    Craig Felton

    págs. 140-146

    

  • Romney's theatrical portraiture: Mrs Siddons and Tryphosa Jane Wallis

    Jennifer C. Watson

    págs. 147-151

    

  • Gainsborough's Mister Robinson: A portrait and its context

    Martin Levy

    págs. 152-155

    

  • New light on Gawen Hamilton: Artists, musicians and the debtors' prison

    John Ginger

    págs. 156-160

    

  • William Blake Richmond in Italy: The artist's early travels, 1866-69

    Simon Reynolds

    págs. 161-165

    

  • In my view...: The National Gallery of Ireland

    Anne Crookshank

    págs. 166-168

    

  • Sir Nikolaus Pevsner: A study in 'historicism'

    David Watkin

    págs. 169-172

    

  • Acts of faith: George Pace, Llandaff and post-war architecture

    Gavin Stamp

    págs. 173-180

    

  • Letter from New York

    • The William S. Paley Collection at MoMa

      Homan Potterton

      págs. 181-182

      

  • Letter from Paris

    • The Biennale at the Grand Palais

      Barbara Scott

      págs. 183-184

      

    • A corporate friend: Changing direction at the Fondation Cartier

      Elspeth Moncrieff

      págs. 185-186

      

  • Exhibition Reviews

    • Leonardo/non-Leonardo: The Madonna of the Yarnwinder

      Michael Bury

      págs. 187-189

      

  • Shorter Reviews

    • Not only 'In the Round'

      Terence Mullaly

      págs. 190-191

      

    • Turner and Byron

      Martin Postle

      págs. 191-192

      

    • Drawing in Germany

      William Vaughan

      págs. 192-193

      

    • Wyndham Lewis: Art and War

      Edward Chaney

      págs. 193-193

      

  • Book Reviews

    • 'Socio-art history' or just a dirty mind?

      Christopher Newall

      págs. 194-195