The ‘Place to Be’ for Street Art Nowadays: is no Longer the Street, it´s the Internet
págs. 6-13
Preserving Urban Heritage and Creativity: : The Reuse of the AXA Building in Porto
págs. 14-21
págs. 22-30
Mapping Creativity through Socially Engaged Visual Arts: Art Projects in two Amadora Neighborhoods
págs. 31-41
From squares to walls: contemporary murals of OSGEMEOS, Nunca and Bicicleta sem Freio in Lisbon
págs. 42-48
OSGEMEOS and the Institutionalization of Street Art: : Cyclical Narratives
págs. 49-58
Graffiti, Street Art, and Culture in the era of the Global City: The Ana Botella Crew case
págs. 59-69
págs. 70-71
Surveying New Muralism in Italy: : Urban Art Interventions for the Regeneration of Turin’s Architectural Heritage
págs. 71-82
Letting the walls of the city speak: : The route of a sociological research project on Lisbon’s street art1
págs. 82-88
Modes of Spatial Exploration in Berlin: : Collaborating with Knut Eckstein on Subverting the City
págs. 89-98
The dialectics of graffiti studies: a personal record of documenting and publishing on graffiti since 1988
págs. 99-103




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