Ut pictura poesis: Angelica Kauffmann's literary sources
págs. 345-349
A pair of pietra dura cabinets at Alnwick: The history of their acquisition
págs. 350-352
Drawing for panel-painting in trecento Italy: Reflections on workshop practice
págs. 353-361
Sorting out Simone: Reattributing fourteenth-century Bolognese panels
págs. 362-366
Auctioneers, dealers, Constables and crooks: A vindication of William White Warren
págs. 367-372
Sir Thomas Lawrence's cup and saucer: A document of taste
págs. 373-375
Lorenzo de' Medici: Politician, patron and designer
págs. 376-379
Sixty years at the Royal Academy: Sidney Hutchison's recollections
págs. 380-382
Moving with the times: 100 years of the Leger Galleries
págs. 383-384
A journey through art: 175 years of Agnew's
págs. 385-386
Protecting the past: Eamonn Kelly and the treasure hunters
págs. 387-391
The British School at Rome: A personal view
págs. 392-392
The dilemmas facing the Tate: The Director's reply
págs. 393-394
págs. 395-396
págs. 397-399
Gabriel Fournier: French modernism and the School of Paris
págs. 400-401
págs. 402-403
págs. 403-404
págs. 404-405
págs. 406-407




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