Revista Canaria de Estudios Ingleses
Año 2024, Número 89. Texto Completo Ejemplar. Dedicado a: Ecogothic, Monstrosity, and Climate Emergency / Ecogótico, monstruosidad y emergencia climática
Introduction
The Ecogothic as a Catalyst of Climate Emergency: The Impact of Monstrosity / El Ecogótico como catalizador de la emergencia climática: el impacto de la monstruosidad
págs. 9-14
Articles
Ding Dong, the Evil Witch is Not Dead: Monstrosity and Ecophobia in Las brujas de Westwood and Wytches
págs. 17-34
Land Property, Land Destruction: Ecogothic vs. Capitalism in Bram Stoker’s The Snake Pass
págs. 35-53
Et Verbum Caro Factum Est: Monstrosity and Transcorporeality in Mexican Gothic
págs. 55-67
Gothic Nature in Fantasy Fiction: The White Walkers as Dreadful Agents of Nature in Game of Thrones
págs. 69-87
The State of Nature: Ecogothic (Mo)Other in Catalina Infante’s “Todas Somos una Misma Sombra”
págs. 89-103
Rebellion and Wilderness: Female Agency and Irish Nature in Elizabeth Griffith’s The History of Lady Barton (1771)
págs. 105-119
Tears in Rain: An Ecogothic Hardboiled Tribute to Philip K. Dick’s Do Androids Dream of Electric Sheep?
págs. 121-136
“None of Them Knows About Floods or Anything About the Rivers”: Monstrous Kinships and Agency in Michael McDowell’s The Flood and The Levee /
págs. 137-152
An Ecogothic Reading of Sea Monsters: Deep Blue Sea (1999) and The Meg (2018)
págs. 153-167
Miscellany
From Ibsen to Ray: Transcultural Adaptation and Film Authorship in Ganashatru (An Enemy of the People, 1989)
págs. 171-188
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