Little and large: Manuscript reflections of Altichiero's frescoes
págs. 299-300
Tiepolo triumphant: The Roman history cycles of Ca' Dolfin, Venice
págs. 301-310
Portraits of Mozart: Revising the iconography
págs. 311-316
The Brussels Initials Master: From proto-Renaissance to Northern Renaissance and back
págs. 317-321
Milanese luxury books: The patronage of Bernabò Visconti
págs. 322-326
Perugian fourteenth-century manuscript illumination: Vannes di Baldolo and his associates
págs. 327-332
The first 'publication': The revolution of the thirteenth-century Paris Bible
págs. 333-334
Art book publishing's biggest gamble?: The Macmillan Dictionary of Art project
págs. 335-338
The Lagonico Iznik Collection: Avant-garde Alexandrian taste
págs. 339-340
págs. 341-343
From Gainsborough to Constable: The emergence of naturalism in British landscape painting
págs. 344-346
Careful charity: The National Art-Collections Fund exhibition
págs. 347-349
Relative presences: A roomful of Bacon at the Tate
págs. 350-351
Ad marginem: Frames and glit-wood furniture
págs. 352-352
The authority of drawing: Ceri Richards at Pallant House
págs. 353-353
Treasures from an antique land: The art of Jordan
págs. 354-354
Rituals of life: Songlines/Broken English
págs. 355-355
págs. 356-358
págs. 359-360
págs. 361-361
págs. 362-363




© 2001-2026 Fundación Dialnet · Todos los derechos reservados