Artibus et historiae: an art anthology

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  Año 2024, Número 89

  • Observations and thoughts on Sant’Andrea at Mantua: a transatlantic collaboration

    Livio Volpi Ghirardini, Eugene J. Johnson

    • Resumen

    págs. 9-48

    

  • Felipe Morras (Philippon Mauroux), a picard trained in Ghent, his workshop in Marseille, and his stay at the court of Isabella of Castile

    Oskar Jacek Rojewski

    • Resumen

    págs. 49-66

    

  • Recto by Raphael, Verso by Poliodoro. A sheet of drawings for the Sala di Costantino

    Paul Joannides

    • Resumen

    págs. 67-90

    

  • ‘The Spirit that I have seen may be the Devil’. The curious Virgins of Hans Baldung Grien

    Bonnie J. Noble

    • Resumen

    págs. 91-115

    

  • Some additions to the Bonifacio catalogue

    Philip Cottrell, Peter Humfrey

    • Resumen

    págs. 117-136

    

  • Tintoretto, Patavinus and a rare harpsichord of 1554

    Enrico Maria Dal Pozzolo

    • Resumen

    págs. 137-171

    

  • In his own work: the self-images of Jusepe de Ribera

    Deborah Feller

    • Resumen

    págs. 173-190

    

  • Ribera in Rome: the Städel’s Saint James the Greater as a touchstone for the painter’s early period,

    Bastian Eclercy

    • Resumen

    págs. 191-223

    

  • A woman artist in eighteenth-century Venice: new details about Giulia Lama’s life (1681–1747

    Nora Gietz

    • Resumen

    págs. 225-246