Pepys and the pictorial arts: 'Great plenty of good pictures'
págs. 227-237
Stella Mary Newton OBE: Pioneer of the History of Dress
págs. 238-239
Poetic drama and history: The costume designs of Stella Mary Newton
págs. 240-244
Ambrogio Lorenzetti's dancing 'maidens': A case of mistaken identity
págs. 245-251
Samuel Palmer and the Slade: Artists and amateurs in association
págs. 252-257
The Slade School of Fine Art, UCL: An appeal by the Slade Professor
págs. 258-260
Euan Uglow: still-life paintings: A remorseless, amiable, questioning intelligence
págs. 261-264
The meaning of 'Modern': Experimentation or excellence
págs. 265-266
Silent houses of Britain: An exhibition by Alexander Creswell
págs. 267-269
Poussin and the connoisseurs: Reflections on an exhibition
págs. 270-272
'Painting beyond painting': Max Ernst retrospective
págs. 273-275
'A labor and an opus': Samuel Palmer - visionary printmaker
págs. 276-278
The lure of the sea: Albert Pinkham Ryder / Michael Andrews / Alan Reynolds
págs. 279-279
págs. 280-282
págs. 283-285
págs. 286-287
Asset-stripping?: Disposals from museum collections
págs. 288-288
Artists for art's sake: The artists as teacher
págs. 290-290
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