Computer music journal

• 

  Año 1997, Vol. 21, Número 3

  • Virtureal Ton online forum

    pág. 8

    

  • International Conference on Auditory Display--ICAD '97

    pág. 8

    

  • Michael Philippot: Pioneer of algorithmic composition

    pág. 9

    

  • North Carolina concert `Heard From Afar'

    pág. 9

    

  • Italian Computer Music Association workshops

    pág. 9

    

  • Virtual World Orchestra

    pág. 10

    

  • Computer music concert and joint meeting on music information science, Atsugi-shi, Japan

    pág. 10

    

  • Acousmatic morphology: An interview with Francois Bayle

    Sabdra Desantos

    págs. 11-19

    

  • The Composer's Underscoring Environment: CUE

    David Cope

    págs. 20-37

    

  • Physically Informed Sonic Modeling (PhISM): Synthesis of percussive sounds

    Perry R. Cook

    págs. 38-49

    

  • Machine tongues XIX: Nyquist, a language for composition and sound synthesis

    Roger B. Dannenberg

    págs. 50-60

    

  • Abstract time warping of compound events and signals

    Roger B. Dannenberg

    págs. 61-70

    

  • The implementation of Nyquist, a sound synthesis language

    Roger B. Dannenberg

    págs. 71-82

    

  • Real-time software synthesis on superscalar architectures

    Nick Thompson, Roger B. Dannenberg

    págs. 83-94

    

  • JIM '96: Third Journees d'Informatique Musicale

    Marc Chemillier, Gérard Assayag

    págs. 95-96

    

  • International Conference on Computer Music and Music Science

    Michael Land

    págs. 97-98

    

  • Academic Bourges: Aesthetics and Electroacoustic Music

    Karl Kaiser

    págs. 98-100

    

  • Joel Chadabe: Electric Sound: The Past and Promise of Electronic Music

    Anna Laura Arpel

    págs. 100-101

    

  • Stan Tempelaars: Signal Processing, Speech, and Music

    Claude Schimmel

    págs. 101-102

    

  • David Cope: Experiments in Musical Intelligence

    Karl W. Putnam

    págs. 102-103

    

  • Swiss Waves: Works from the Swiss Center for Computer Music 1985-1995

    Robert Cummings

    págs. 103-104

    

  • Wesley Fuller and Thomas DeLio: 20th Century American Music for Piano, Violin, Flute, Percussion

    Boris Schenker

    págs. 104-105

    

  • New Music from the Americas, 3: Transmutations, Music for Voice, Piano, and Electronics

    Anne Deame

    págs. 105-106

    

  • Emit: 5595

    Claire Turner

    págs. 106-107

    

  • Priscilla and Barton McLean: Rainforest Images

    Velma Golea

    págs. 107-108

    

  • Warren Burt: 39 Dissonant Etudes

    Shirley Moss

    pág. 108

    

  • Deep Listening Publications Catalog

    págs. 109-110

    

  • Van Koovering Interactive Piano

    pág. 109

    

  • Flex Processor Interactive Control Interface for Macintosh

    pág. 109

    

  • Stockhausen: The Complete Edition on CD

    pág. 109