págs. 299-299
págs. 300-305
Reynolds, Shaftesbury, Van Dyck and Dobson: Sources for Garrick between Tragedy and Comedy
págs. 306-311
In pursuit of Chinnery: William Prinsep's quest for the artist in exile
págs. 312-316
Bus is it 'Art'?: The Mapplethorpe/Serrano controversy
págs. 317-321
The Vasari of British art: Sir John Rothenstein... and the importance of Wyndham Lewis
págs. 322-326
Deception and detection: The work of Doreen Stoneham in the field of 'TL' testing
págs. 327-330
'Boboli '90': The restoration of a sixteenth-century garden
págs. 331-332
Restoration in Vilnius: Reviving the Lithuanian capital
págs. 333-335
Two successful restorations: Wilton House and Frogmore House
págs. 336-339
Restoring Grinling Gibbons: An American at the court of King William
págs. 340-341
Pallant House, Chichester: A tale of restoration and benefaction
págs. 342-343
More than meets the eye: Monet's series paintings at the Royal Academy
págs. 344-347
Making plenty of Monet: An appreciation of the Monet industry
págs. 348-348
Two exhibitions of British art: William Hoare/Doldabarn Castle
págs. 349-350
'Glasgow girls': Women in Art and Design 1880-1920
págs. 351-352
An original voice: The sculpture of Eduardo Chillida
págs. 353-353
Georges Braque: 'Still-lifes and Interiors'
págs. 354-355
págs. 356-356
págs. 357-359
págs. 360-361
© 2001-2024 Fundación Dialnet · Todos los derechos reservados