Journal of aesthetics & art criticism

• 

  Año 1995, Vol. 53, Número 2

  • Film spectatorship and the institution of fiction

    Murray Smith

    págs. 113-127

    

  • On the `multiple viewpoint' theory of early modern art

    John Adkins Richardson

    págs. 129-137

    

  • The value of music

    Gordon Graham

    págs. 139-153

    

  • Francis Hutcheson and the problem of conspicuous consumption

    Preben Mortensen

    págs. 155-165

    

  • Kant on pleasure in the agreeable

    Nick Zangwill

    págs. 167-176

    

  • The postmodern sublime: Kant and Tony Smith's anecdote of the cube

    Paul G. Beidler

    págs. 177-186

    

  • Without guilt, what's the matter? How tragedy matters: Response to Richard Eldridge's `How can

    Victor Yelverto Haines

    págs. 187-188

    

  • Response to Victor Yelverton Haines

    Richard Eldridge

    págs. 188-189

    

  • Kant on fine art: Artistic sublimity shaped by beauty

    Robert Wicks

    págs. 189-193

    

  • Kant's confusion of expression with communication

    Robert B. Cantrick

    págs. 193-194

    

  • Beauty, sublimity, and expression: Reply to Wicks and Cantricks

    Paul Guyer

    págs. 194-195

    

  • Levinson on Hope in The Hebrides

    Gregory Karl, Jenefer Robinson

    págs. 195-199

    

  • Still hopeful: Reply to Karl and Robinson

    Jerrold Levinson

    págs. 199-201

    

  • Essay review

    Gregg Horowitz

    págs. 203-209

    

  • Book reviews

    Sally Markowitz

    págs. 216-218

    

  • Book reviews

    Rudolf Arnheim

    págs. 218-219

    

  • Book reviews

    Howard Niblock

    págs. 219-222

    

  • Book reviews

    Howard Niblock

    págs. 222-225

    

  • Book reviews

    Patricia Failing

    págs. 225-226