Screen

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  Año 1995, Vol. 36, Número 4

  • Addressing the spectator of a 'third world' national cinema: the Bombay 'social' film of the 1940s and 1950s

    págs. 305-324

    

  • Women reading Chinese films: between orientalism and silence

    págs. 325-340

    

  • Primal scenes and the female gothic: Rebecca and Gaslight

    págs. 341-370

    

  • 'Trashing' the academy: taste, excess and an emerging politics of cinematic style

    págs. 371-393

    

  • The untamed eye: surrealism and film theory

    págs. 394-407

    

  • The last/vision machine

    págs. 408-417

    

  • 16th International Celtic Film and Television Festival

    págs. 421-422

    

  • Video Positive 95

    págs. 423-426

    

  • 17th Creteil International Festival of Women's Films

    págs. 427-431

    

  • Sandra Frieden, Richard McCormick, Vibeke R. Petersen, Laurie Melissa Vogelsang (eds), Gender and German Cinema, volumes I and II

    págs. 441-447

    

  • Andrew Goodwin, Dancing in the Distraction Factory: Music, Television and Popular Culture

    págs. 448-450