From "after" to "until": Post-apocalypse, postmodernity, and Wim Wenders's Until the end of the world
págs. 1-16
Travel as dialogic text: Bultor's renditions of "America" and "Australia"
págs. 17-33
págs. 35-50
I / We Went to the summit: Ammons and Rich and the sublime in the american 1970s
págs. 51-66
Ousmane Sembène's Les bouts de bois de Dieu and the question of literary "Realism": African, european, or otherwise
págs. 67-93
Enslaved bodies: Figurative slavery in the temperance fiction of Harriet Beecher Stowe and Walt Whitman
págs. 95-118
Re(de)composing the novel: The Waves, Wagnerian Opera and Percival / Parsifal
págs. 119-144
A genre against genre: The visual and verbal sketch in British Romanticism
págs. 145-169
págs. 171-184
págs. 185-209
págs. 211-236
Jennifer Ross Church (res.)
Es reseña de:
Faulkner and Southern Womanhood
Diane Roberts
Athens and London : University of Georgia Press, 1994
págs. 237-243
© 2001-2024 Fundación Dialnet · Todos los derechos reservados