Masquerade or drag? Bette Davis and the ambiguities of gender
pág. 179
`Putting on the Ritz': masculinity and the young Gary Cooper
pág. 193
Gender, ethnicity and cultural crisis in Falling Down and Groundhog Day
pág. 214
Questioning totalities: constructions of masculinity in the popular Greek cinema of the 1960s
pág. 233
Were we being served? Homosexual representation in popular British comedy
pág. 243
Tempestuous petticoats: costume and desire in The Piano
pág. 257
The return of the repressed? Whiteness, femininity and colonialism in The Piano
pág. 267
Lips and fingers: Jane Campion's The Piano
pág. 277
Sue Harper, Picturing the Past: the Rise and Fall of the British Costume Film
pág. 288
Richard Abel, The Cine Goes to Town: French Cinema 1896-1914; Colin Crisp, The Classic French Cinema, 1930-1960
pág. 292
Ellen Seiter, Sold Separately: Parents and Children in Consumer Culture
pág. 297
Kevin Jackson (ed.), The Humphrey Jennings Reader
pág. 301
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