págs. 299-312
Historical narratives and the philosophy of art
Noel Carroll
págs. 313-326
págs. 327-350
Douglas Dempster
págs. 351-361
History and the philosophies of the arts
Claire Detels
págs. 363-375
Painting, parapraxes, and unconscious intentions
Jeffrey L. Geller
págs. 377-387
págs. 389-398
The Socratic quest in art and philosophy
Thomas Leddy
págs. 399-410
Jerrold Levinson
págs. 411-423
Why philosophy of art in cross-cultural perspective?
Julius Moravcsik
págs. 425-435
Auflosung in nineteenth-century literature and music
David L. Mosley
págs. 437-444
Film theory and aesthetics: Notes on a schism
Carl Plantinga
págs. 445-454
Looking at art through photographs
Barbara E. Savedoff
págs. 455-462
Anthony Savile
págs. 463-474
Pure historicism and the heritage of hero(in)es: Who grows in Phillis Wheatley's garden?
Anita Silvers
págs. 475-482
History and the ontology of the musical work
Leo Treitler
págs. 483-497
How marvelous! Toward a theory of aesthetic value
Kendall L. Walton
págs. 499-510
Carl Plantinga
págs. 511-513
págs. 513-515
Anita Silvers
págs. 515-517
Lucian Krukowski
págs. 517-518
Arnold Berleant
págs. 518-519
Robert Stecker
págs. 519-521
John Morreall
págs. 521-523
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