págs. 11-31
págs. 32-52
The Spectator’s Position as a Thinking Space for the Contemporary Essay Film: Face aux fantômes (2009) and Jaurès (2012)
págs. 53-75
“The Postman’s Coming: ” La Morte Rouge (soliloquio) and the Limits of Essayistic Thinking
págs. 76-94
Anachronism as Temporality of Memory in the Oeuvre of Pietro Marcello: An Interview with Bertrand Bacqué
págs. 95-115




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