Bulletin of the Institute of Classical Studies

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  Año 2020, Vol. 63, Número 1. Dedicado a: THE CLASSICAL VASE TRANSFORMED: CONSUMPTION, REPRODUCTION, AND CLASS IN EIGHTEENTH- AND NINETEENTH-CENTURY BRITAIN

  • THE CLASSICAL VASE PRODUCED AND CONSUMED IN NEW CERAMIC FORMS

    • How much did pottery workers know about classical art and civilisation?

      Edith Hall

      • Resumen

      págs. 17-33

      

    • Pottery workers, ‘the Ladies’, and ‘the Middling Class of people’: production and marketing of ‘Etruscan and Grecian vases’ at Wedgwood c.1760–1820

      Alexia Petsalis-Diomidis

      • Resumen

      págs. 34-53

      

    • A Greek tragedy? Why ‘Dillwyn’s Etruscan Ware’ failed

      Janet Morgan

      • Resumen

      págs. 54-71

      

    • Archaeology in the home: neoclassical ceramics for new audiences in mid-nineteenth-century Britain

      Paul Lewis

      • Resumen

      págs. 72-88

      

  • THE CLASSICAL VASE CONSTRAINED IN THE MUSEUM CABINET AND TRANSFIGURED IN THE BODY

    • Ancient vases in modern vitrines: the sensory dynamics and social implications of museum display

      Caspar Meyer

      • Resumen

      págs. 91-109

      

    • Pots in performance: Emma Hamilton’s Attitudes

      Helen Slaney

      • Resumen

      págs. 110-122

      

    • 'Myths of the Odyssey' in the British Museum (and beyond): Jane Ellen Harrison’s museum talks and their audience

      Abigail Baker

      • Resumen

      págs. 123-137

      

  • RESPONSE

    • Classics transformed? Ancient figured vases as a test-case for the preoccupations of Classical Reception Studies

      Katherine Harloe

      págs. 138-142