European Medieval Drama

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  Año 2021, Número 25

  • The Theatricality of "Versus de Unibove"

    Francesco Mosetti Casaretto

    • Resumen

    págs. 11-32

    

  • Performable Monologue: Profiling the Unconventional Theatricality of "Tragèdia de Caldesa" by Joan Roís de Corella, a Valencian Writer of the Fifteenth Century

    Peter Cocozzella

    • Resumen

    págs. 33-63

    

  • Marian Laments from Medieval Bohemia: Performing Suffering and Redemption Through Compassion

    Eliska Polácková

    • Resumen

    págs. 65-90

    

  • ‘Manus Tuas Commendo’: Blasphemy, Spells, and Night Prayers in Late Medieval Shepherds’ Plays from England and Castile

    Vicente Chacón Carmona

    • Resumen

    págs. 91-117

    

  • Kindel, Wiege, Windel: Zur Interaktion mit sakralen Objekten in Weihnachtsritualen und Weihnachtsspielen

    Regina Toepfer

    • Resumen

    págs. 119-142

    

  • Bewegte Grenzen: Beobachtungen zum kollusiven Potential ‘heiliger’ Figuren und Gegenstände im Mühlhäuser (thüringischen) Katharinenspiel

    Angelika Kemper

    • Resumen

    págs. 143-173

    

  • How to Mark a Saint on Stage: Felix Büchser’s "Meinradspiel"

    Cora Dietl

    • Resumen

    págs. 175-200

    

  • Processions, Processional Theatre, Simultaneous Stage: Variations of Venues and Stage Arrangements of the Lucerne Play Tradition from the Middle Ages to Early Modern Times

    Heidy Greco-Kaufmann

    • Resumen

    págs. 201-222

    

  • The Revival of the Lucerne Passion Play Tradition in the Twentieth Century

    Simone Gfeller

    • Resumen

    págs. 223-237

    

  • Unreliable Memories: Documenting the Scenography of the 1589 Florentine intermedi

    M.A. Katritzky

    • Resumen

    págs. 239-281

    

  • Das Streitgedicht im Mittelalter, ed. by Jörg O. Fichte, Peter Stotz, Sebastian Neumeister, Roger Friedlein, Franziska Wenzel, and Holger Runow

    Cora Dietl (res.)

    Es reseña de:

    • Das Streitgedicht im Mittelalter

      Peter Stotz (ed. lit.), Jörg O. Fichte (ed. lit.), Sebastian Neumeister (ed. lit.), Roger Friedlein (ed. lit.), Franziska Wenzel (ed. lit.), Holger Runow (ed. lit.)

      Stuttgart : Hirzel S. Verlag, 2019

    • Texto completo

    págs. 283-286

    

  • Andrzej Dąbrówka, Theater and the Sacred in the Middle Ages, trans. by Jan Burzyński and Mikolaj Golubiewski

    Nils Holger Petersen (res.)

    Es reseña de:

    • Theater and the Sacred in the Middle Ages

      Andrzej Dabrówka, Jan Burzunski (trad.), Mikolaj Golubiewski (trad.)

      Berlin : Peter Lang, 2019

    • Texto completo

    págs. 286-289

    

  • Noah D. Guynn, Pure Filth: Ethics, Politics, and Religion in Early French Farce

    Jelle Koopmans (res.)

    Es reseña de:

    • Pure Filth: Ethics, Politics, and Religion in Early French Farce

      Noah D. Guynn

      Philadelphia : University of Pennsylvania Press, 2020

    • Texto completo

    págs. 290-292

    

  • Thomas Meacham, The Performance Tradition of the Medieval English University: The Works of Thomas Chaundler

    Elza C. Tiner (res.)

    Es reseña de:

    • The Performance Tradition of the Medieval English University: The Works of Thomas Chaundler

      Thomas Meacham

      Berlin : De Gruyter, 2020

    • Texto completo

    págs. 292-297

    

  • Margaret M. McGowan, Festival and Violence: Princely Entries in the Context of War, 1480-1635

    Max Harris (res.)

    Es reseña de:

    • Festival and Violence: Princely Entries in the Context of War, 1480-1635

      Margaret M. McGowan

      Turnhout : Brepols, 2019

    • Texto completo

    págs. 297-300

    

  • Margarida Miranda, Miguel Venegas and the Earliest Jesuit Theater: Choruses for Tragedies in Sixteenth-Century Europe

    Oscar Armando García Gutiérrez (res.)

    Es reseña de:

    • Miguel Venegas and the Earliest Jesuit Theater: Choruses for Tragedies in Sixteenth-Century Europe

      Margarida Miranda

      Leiden : Brill, 2019

    • Texto completo

    págs. 300-303